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Guileless Sir

by Guy Lesser

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1.
WE’LL GET WELL I KEEP HOPING YOU’LL COME HOME I’VE STOPPED SMOKING BUT I’M NOT STRONG I’M NO DIFFERENT NOW BUT I SEE I WAS WRONG I KEEP HOPING YOU’LL COME HOME CHORUS: IF YOU’D COME TO ME WE COULD TALK A WHILE DARLING WE’VE BEEN SICK A SPELL BUT I THINK WE’LL GET WELL WE BOTH JUST NEED SOME KINDNESS AND A LITTLE FAITH WOULD HELP DARLING, WE’LL GET WELL I DON’T KNOW WHY I DON’T KNOW— WHAT TO COVER OR WHAT TO SHOW WHAT TO LEAVE OR WHEN TO GO BUT I KEEP HOPING YOU’LL HOME
2.
18 heures 03:16
18 Hours NOW, WHEN EVERYTHING IS SAID AND DONE, IT'S HARD TO SAY IF HE'S THE ONE WHEN YOU'RE WALKING HOME, AT 4 AM, TRYING TO BEAT THE MORNING SUN. NOW, YOU'RE LAUGHING 'CAUSE THERE'S NO ONE THERE, AND WONDERING IF YOU REALLY CARE, AND THOUGH YOU REMEMBER KISSING HIM, YOU'RE NOT SURE THAT'S ALL YOU'VE DONE. TOMORROW MAY HOLD SORROW, BUT THAT'S NOT REACHED YOU YET. SO BEFORE THAT DARKNESS SWALLOWS US, YOU’LL TAKE WHAT YOU CAN GET. BEFORE THE DARKNESS SWALLOWS US YOU'LL TAKE WHAT YOU CAN GET. THIS IS NOT SOME HOLIDAY SO YOU'RE ON THE RUN BENEATH THE GUN AS DEADLINES COME & GO, YOU KNOW NO TIME TO DEAL WITH HOW/WHAT YOU'RE FEELING. . . THIS IS ONE MORE WORKING DAY, SO YOU CAN'T SAY, IF THERE'S A FUTURE. . . OR WHAT YOU WANT TO DO, OR WHAT IS TRUE OR WHAT YOU'VE JUST IMAGINED. NOW IT'S 10 PM AND YOU'RE HOME ALONE, READING, DRINKING DIET SODA, WHEN YOU PICK UP THE TELEPHONE TO TEXT TO ASK HIM: WHAT'S HE DOING.... THOUGH TOMORROW MAY HOLD SORROW, IT'S NOT REACHED YOU YET. SO BEFORE THIS DARKNESS SWALLOWS US WE’LL TAKE WHAT WE CAN CAN GET. BEFORE THIS DARKNESS SWALLOWS US WE’LL TAKE WHAT WE CAN GET.
3.
1000x a Day 03:30
1000x a Day DON’T BE AFRAID IT WON’T LAST LONG IF YOU STIFFEN UP YOUR LIP AND CARRY ON CHORUS: THOUGH IT’S NO PLAY YOU WILL PLAY YOUR PART AND 1000 TIMES A DAY YOU’LL BREAK THIS HEART I TAUGHT YOU WELL TO LOVE THE LIE ABOUT THE FOOLISH BOY WHO LEARNS TO FLY NOW I GUESS I’VE MY WAY THE ONE YOU KNEW SO WELL AND IF THE WORLD BECOMES A STAGE THE LIGHT MUST COME FROM SOMEWHERE YOU SEE THE SEA BUT NOT THE SKY YOU CAN’T FEEL THE WATER FALLING FROM MY EYES
4.
The Wheel 02:57
THE WHEEL Honey, won't you take the wheel-- there's a bad bad feeling in the rear view mirror. I'm sleepy but I'm awfully wired, down on my Luckies, and dog dead tired If the yellow line's our only friend-- With no beginning and no clear end, so safe and true in every curve, such a comfort to my jangled nerves. Honey, won't you take the wheel-- there's a bad bad feeling in the rear view mirror. I'm sleepy but I'm awfully wired-- and I think the car must be on fire. If the yellow line's really all we need, if we lose our souls, will we find our feet? There're some signs ahead, that I still can't read, but the traffic light's such a steady green. Honey, won't you take the wheel-- there's a bad bad feeling in the rear view mirror. I'm sleepy but I'm awfully wired, And I think the car must be on fire.
5.
THE BALLAD OF LOVE THRU THE AGES Long ago in ancient Troy you were Helen when I was a boy born and bred in Athens-- so nothing good could happen. Then a few years later in the hills of Rome I was a poet with a stately home and garden that I shared with a man named Atticus, But you hated us. In Venice you were a Doge's bride and blond and tall but too full of pride to take me as your Cavalier so I found many other lovers there. CHORUS: Love is not just lucky stars or what you think of some boy's guitar or how you laugh or what's your favorite meal. it's so hard to know, cause it all depends on Who & What & Why & When but maybe we can just pretend we'll find each other. . . Some time later in Versailles France You were among the most decadent And I was your priest, but it led us to the guillotine. It was a bloody scene. CHORUS We met later out in Hollywood, but I was bad, and you were good. But after you met Douglas Fairbanks You became a prostitute. New York, New York could have worked out fine cause I lived on 6 and you on 9. but I worked days and you nightlme and in five long years you never once said, "Hi."
6.
Victoria 03:35
Anytime you hear the words, "No problem," you know your worries have just begun. As she says shyly, she's got another lover, And you hear your heart start fluttering, And hope she's not the One. As you hear your heart start fluttering, You hope she's not the One. She says, "You'll see-- as Plato once told Phaedrus-- 'You know we all lack a harmony because we're half ourself.'" But Socrates is silent now, So he can't say what's best. When you hear your heart start stuttering, you ask yourself, "What's next?" When you hear your heart start stuttering, you ask yourself, "What next?" Gravity works well for two. And falling isn't hard to do. It's mostly just her point of view. Or yours. You do your work. You find some time. And if you lose this valentine, You'll tell yourself, "It's just as well," or "Never mind." Anytime you say the words, "I love you," You know your worries have just begun. As she says sweetly, "But I've got another lover," And you hear your heart start fluttering, And hope she's not the One.
7.
Everybody Dies I've heard you say: Everybody dies one day. --how everybody goes away, No matter what they tell you, of water's past as steam or snow. About how much that we don’t know-- If energy or entropy really fills our soul; & What Van Gogh felt that starry night; And which is better fight or flight; And what you see by heaven’s light; when you hear the bullet strike you. BUT MAYBE THERE'S NO REASON WHY NO DESTINY THOUGH WE ALL TRY TO find A SELF THAT MAKES SOME SENSE before the end NO GOOD OR BAD NO GOD WHO CRIES NO TEARS OF RAGE no MORTAL LIES NO SIN NO SONG NO RHYME NO SENSE BEFORE THE END THAT HAS NO END You say: Don't ask me if we will last, If this is future or just walking past, if we're the face or just some mask, If I've really hurt or helped you. But I've heard you say, though every story ends someday how everybody needs a friend to help us on our way.

about

By fits and starts over the past decade or so—mainly in partnership with the supernally talented Mike Rathke (Lou Reed’s long time guitarist and producer)— I’ve managed to record a couple of dozen songs, debuting here on bandcamp.

At least for me, it’s the other people’s playing I am proudest of. In particular, Rob Wasserman Fernando Saunders, Jeff Hill, Freddy Paravicini, Evan Harlan, Tommy James (of the Duke Ellington Orchestra), Tony “Thunder” Smith, as well as Mike. A great deal of it was done on the fly—in stolen moments between Lou Reed tours, or when my amazing neighbors here at 475 Kent Ave had an afternoon. All in relative secrecy. This either in my own living room, one part at a time, or pretty literally (e)mailed in—from Boston, Woodstock, Los Angeles, Hamburg Germany, and in between.

The original idea was to release an “album” that would sound live, sloppy, spontaneous, and in the moment—even if it wasn’t. And to release it in conjunction with a book to do with trends in sophisticated home recording. We would then all all meet up (in many cases for the first time), ideally a bit better funded than we’d been, rehearse, and tour.

Sad to say, this never quite happened— as the centrifugal force of other work commitments, projects, the loss of number of these enormously gifted and generous souls intervened, and nearly everything to do with music continued so rapidly to change and evolve.

Over the next month or so, I’ll be adding a few tracks about once a week. . . .

credits

released March 5, 2023

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Guy Lesser Brooklyn, New York

Guy Lesser lives and works in a room of his own, with a view, on the waterfront of Williamsburg, Brooklyn, New York.

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